Picasso’s master works to be featured at the Melbourne Winter Masterpieces exhibition in June

    The world-premiere Melbourne Winter Masterpieces exhibition, The Picasso Century, charts the extraordinary career of Pablo Picasso in dialogue with the many artists, poets and intellectuals with whom he intercepted and interacted throughout the 20th century, including Guillaume Apollinaire, Georges Braque, Salvador Dalí, Alberto Giacometti, Françoise Gilot, Valentine Hugo, Marie Laurencin, Dora Maar, André Masson, Henri Matisse, Dorothea Tanning and Gertrude Stein.

    Exclusively developed for the National Gallery of Victoria (NGV) by the Centre Pompidou and the Musée national Picasso-Paris, the exhibition features over 70 works by Picasso alongside over 100 works by more than 60 of his contemporaries, drawn from French national collections, as well as the NGV Collection. Audiences will also have the opportunity to discover a rich selection of works by artists rarely exhibited in Australia, including Natalia Goncharova, Julio González, Wifredo Lam, Suzanne Valadon and Maria Helena Vieira da Silva.

    Pablo Picasso Spanish 1881–1973 Portrait of a woman (Portrait de femme) 1938 oil on canvas 98.0 x 77.5 cm 116.5 x 96.3 cm (framed) Centre Pompidou, Paris, Musée national d’art moderne-Centre de création industrielle Gift of the artist, 1947 © Succession Picasso/Copyright Agency, 2022 Photo © Centre Pompidou, MNAM-CCI/Georges Meguerditchian/Dist. RMN-GP
    Pablo Picasso
    Spanish 1881–1973
    Portrait of a woman (Portrait de femme) 1938
    oil on canvas
    98.0 x 77.5 cm
    116.5 x 96.3 cm (framed)
    Centre Pompidou, Paris, Musée national d’art moderne-Centre de création industrielle
    Gift of the artist, 1947
    © Succession Picasso/Copyright Agency, 2022
    Photo © Centre Pompidou, MNAM-CCI/Georges Meguerditchian/Dist. RMN-GP

    Curated by noted scholar of 20th-century painting Didier Ottinger, Deputy Director of the Musée national d’art moderne, Centre Pompidou, Paris, The Picasso Century examines the diverse influences, encounters and collaborative relationships that steered Picasso through many distinct artistic periods, such as his Blue Period, Cubism and Surrealism, and draws lines between Picasso’s famous creations and the world around him.

    By exploring Picasso’s career through his personal, artistic and intellectual engagement with his peers, the exhibition provides a unique insight into the artistic legacy of one of the 20th century’s most influential and celebrated artists, as well as the community of artists from which he emerged.

    Pablo Picasso Spanish 1881–1973 Figures by the sea (Figures au bord de la mer) 12 January 1931 oil on canvas 130.0 x 195.0 cm Musée national Picasso-Paris Donated in lieu of tax, 1979 © Succession Picasso/Copyright Agency, 2022 Photo © RMN-Grand Palais (Musée national Picasso-Paris) / Mathieu Rabeau
    Pablo Picasso
    Spanish 1881–1973
    Figures by the sea (Figures au bord de
    la mer) 12 January 1931
    oil on canvas
    130.0 x 195.0 cm
    Musée national Picasso-Paris
    Donated in lieu of tax, 1979
    © Succession Picasso/Copyright Agency, 2022
    Photo © RMN-Grand Palais (Musée national Picasso-Paris) / Mathieu Rabeau

    Victoria’s Minister for Creative Industries Danny Pearson said, “The Picasso Century brings together master works from across Picasso’s career, alongside those from other leading artists and innovators of the time. This world-premiere Melbourne Winter Masterpieces exhibition will be an absolute treat for art lovers from across Victoria and beyond, and a massive drawcard to our creative state this winter.”

    Laurent Le Bon, President, Centre Pompidou, said, “Picasso reunited at last with Australia and his fellow accomplices and travellers. I am delighted with this collaboration between two French institutions and the National Gallery of Victoria: this exceptional partnership will allow the Australian public to discover Picasso’s paintings, sculptures, drawings, ceramics, and the works of the artists with whom he never ceased to interact. I wish to extend a warm thank you to all those who have made this magnificent project possible.”

    Pablo Picasso Spanish 1881–1973 Portrait of Olga in an armchair (Portrait d’Olga dans un fauteuil) spring 1918 oil on canvas 130.0 x 88.8 cm Musée national Picasso-Paris Donated in lieu of tax, 1979 © Succession Picasso/Copyright Agency, 2022 Photo © RMN-Grand Palais (Musée national Picasso-Paris) / Mathieu Rabeau
    Pablo Picasso
    Spanish 1881–1973
    Portrait of Olga in an armchair (Portrait
    d’Olga dans un fauteuil) spring 1918
    oil on canvas
    130.0 x 88.8 cm
    Musée national Picasso-Paris
    Donated in lieu of tax, 1979
    © Succession Picasso/Copyright Agency, 2022
    Photo © RMN-Grand Palais (Musée national Picasso-Paris) / Mathieu Rabeau

    Cécile Debray, President, Musée national Picasso-Paris, said, “The Picasso Century offers an original, broad approach that allows us to grasp the artist’s career in his artistic and cultural context, from his formative years to his posterity. It thus offers an astonishing journey through the Parisian and cosmopolitan art scene of the 20th century. A Picasso, no longer a genius “ex-nihilo” but an artist in the world, with his friendships with poets, cubists, surrealists, his political commitments, his love affairs with artists, his circles of disciples and admirers.”

    Debray added, “I am delighted by this partnership with the National Gallery of Victoria in Melbourne, which testifies to the ties of friendship and proximity between France and Australia, but also that the French museums participating in this major exhibition have the opportunity to be ambassadors of French heritage and of a historic-artistic scene that was the foundation of Western modernity.”

    Pablo Picasso Spanish 1881–1973 Abduction of the Sabines (L’Enlèvement des Sabines) 4–8 November 1962 oil on canvas 97.0 x 130.0 cm Centre Pompidou, Paris, Musée national d’art moderne-Centre de création industrielle Gift of M. Daniel-Henry Kahnweiler, 1964 © Succession Picasso/Copyright Agency, 2022 Photo © Centre Pompidou, MNAM-CCI/Christian Bahier et Philippe Migeat/Dist. RMN-GP
    Pablo Picasso
    Spanish 1881–1973
    Abduction of the Sabines (L’Enlèvement
    des Sabines) 4–8 November 1962
    oil on canvas
    97.0 x 130.0 cm
    Centre Pompidou, Paris, Musée national d’art moderne-Centre de création industrielle
    Gift of M. Daniel-Henry Kahnweiler, 1964
    © Succession Picasso/Copyright Agency, 2022
    Photo © Centre Pompidou, MNAM-CCI/Christian Bahier et Philippe Migeat/Dist. RMN-GP

    Tony Ellwood AM, Director, NGV, said, “This exhibition offers visitors an extraordinary insight into the development of modern art and the preeminent figure at its centre, Pablo Picasso. Through more than 170 works of art – including many that have never been seen in Australia – audiences will come to appreciate the many ways in which Picasso influenced – and was influenced by – the artistic community that surrounded him.”

    Fifteen thematic sections organise The Picasso Century, which traces the many distinct periods that shaped the artist’s career over more than seven decades, while also situating his work within a broader artistic and geographical context. Each exhibition section provides a nuanced perspective on a rich century of artistic experiment, in which Picasso stands prominently among many innovators.

    Pablo Picasso Spanish 1881–1973 The violin (Le violon) 1914 oil on canvas 81.0 x 75.0 cm 92.7 x 87.0 cm (framed) Centre Pompidou, Paris, Musée national d’art moderne-Centre de création industrielle Gift of M. Raoul La Roche, 1953 © Succession Picasso/Copyright Agency, 2022 Photo © Centre Pompidou, MNAM-CCI/Audrey Laurans/Dist. RMN-GP
    Pablo Picasso
    Spanish 1881–1973
    The violin (Le violon) 1914
    oil on canvas
    81.0 x 75.0 cm
    92.7 x 87.0 cm (framed)
    Centre Pompidou, Paris, Musée national d’art moderne-Centre de création industrielle
    Gift of M. Raoul La Roche, 1953
    © Succession Picasso/Copyright Agency, 2022
    Photo © Centre Pompidou, MNAM-CCI/Audrey Laurans/Dist. RMN-GP

    The beginning of the exhibition explores Picasso’s formative years, which encapsulate significant artistic developments, most notably Cubism, the development of which Picasso led with Georges Braque. Considered by many the ‘experiment’ that most radically transformed 20th-century art, Cubism saw Western art move away from representing likeness and, among many innovations, introduced multiple and simultaneous perspectives into a composition, resulting in the style’s recognisable fragmented imagery.

    The Picasso Century also examines Picasso’s place within the multicultural crucible that was inter-war Paris, and his interaction with other artists and intellectuals including André Breton, Georges Bataille, Aimé Césaire, Alberto Giacometti, and Gertrude Stein. The exhibition will be particularly rich with works from Picasso’s Surrealist period, presented alongside works by artists including Kay Sage, Max Ernst, Salvador Dalí, Giorgio de Chirico and André Masson.

    Pablo Picasso Spanish 1881–1973 Cat seizing a bird (Chat saisissant un oiseau) 22 April 1939 oil on canvas 81.0 x 100.0 cm Musée national Picasso-Paris Donated in lieu of tax, 1979 © Succession Picasso/Copyright Agency, 2022 Photo © RMN-Grand Palais (Musée national Picasso-Paris) / Mathieu Rabeau
    Pablo Picasso
    Spanish 1881–1973
    Cat seizing a bird (Chat saisissant
    un oiseau) 22 April 1939
    oil on canvas
    81.0 x 100.0 cm
    Musée national Picasso-Paris
    Donated in lieu of tax, 1979
    © Succession Picasso/Copyright Agency, 2022
    Photo © RMN-Grand Palais (Musée national Picasso-Paris) / Mathieu Rabeau

    The final sections of the exhibition explore Picasso’s work in an increasingly international art world post-1945 and examine the contested artistic output towards the end of his career. His works of the 1950s and 1960s are positioned alongside later generations of painters, including Francis Bacon and Willem de Kooning.

    The inevitable question of Picasso’s legacy in the 21st century will be posed through the inclusion of the 2009 video work I see a woman crying (Weeping Woman), Tate Liverpool by Rineke Dijkstra. This engaging contemporary work invites reflection on Picasso’s position as a point of reference for all who seek to understand the history of 20th-century art.

    Coinciding with The Picasso Century will be a free NGV Kids exhibition titled Making Art: Imagine everything is real featuring a range of hands-on activities and multimedia experiences inspired by methods of working invented by some of the leading European artists included in the Melbourne Winter Masterpieces exhibition. While learning about some of the leading artists of the twentieth century in Europe, children will make their own surprising works as they explore collage techniques, write poetry and play surrealist games and turn everyday materials into large-scale sculptures.

    The Picasso Century will be on display from 10 June 2022 at NGV International, St Kilda Road, Melbourne. Exhibition organised by the Centre Pompidou, Paris, the Musée national Picasso-Paris, and the National Gallery of Victoria.

    For tickets and information, please visit: NGV.MELBOURNE  or log on to www.visitmelbourne.com

    Source: Visit Victoria (Press release)