K11 MUSEA presents City As Studio, China’s first major exhibition of graffiti and street art, tracing the evolution of a global movement

    Curated by Jeffrey Deitch, City As Studio, China’s first major exhibition of graffiti and street art opens at K11 MUSEA this Spring. Running from 20 March to 14 May 2023 to coincide with Art Basel Hong Kong, the monumental exhibition will feature over 100 works by more than 30 artists, showcasing the breadth and depth of the graffiti and street art scene across generations, styles and geographies.

    K11 MUSEA presents City As Studio, China’s first major exhibition of graffiti and street art
    K11 MUSEA presents City As Studio, China’s first major exhibition of graffiti and street art

    City As Studio traces the global history of graffiti and street art from its emergence in the subway yards and parking lots of 1970s New York to its rise as a worldwide phenomenon. It begins with the movement’s pivotal innovators such as Fab 5 Freddy, FUTURA and Jean-Michel Basquiat who were part of the dialogue and the Downtown art scene of the late 1970s and early 1980s, and goes on to highlight artists such as Barry McGee, Mister Cartoon and OSGEMEOS, and the groundbreaking styles they created in San Francisco, East Los Angeles and São Paulo.

    OSGEMEOS, Back in the Days, 2008. Acrylic, latex, spray paint, and sequins on wooden panel, 243.8 x 243.8 x 12.7 cm. Collection of Jeffrey Deitch. © OSGEMEOS.
    OSGEMEOS, Back in the Days, 2008. Acrylic, latex, spray paint, and sequins on wooden panel, 243.8 x 243.8 x 12.7 cm. Collection of Jeffrey Deitch. © OSGEMEOS.
    Fab 5 Freddy, Return Of God To Africa, 1984. Spray enamel on canvas, 72 x 72 inches. Courtesy of the artist.
    Fab 5 Freddy, Return Of God To Africa, 1984. Spray enamel on canvas, 72 x 72 inches. Courtesy of the artist.
    FUTURA, UNTITLED, c. 1995. Acrylic and spray paint on canvas. Courtesy of FUTURA.
    FUTURA, UNTITLED, c. 1995. Acrylic and spray paint on canvas. Courtesy of FUTURA.

    The exhibition also documents the emergence and evolution of artists such as KAWS and AIKO who represent a younger generation of New York street artists.

    Highlights include Basquiat’s Valentine (1984), on loan from the personal collection of Paige Powell, alongside works by other seminal artists such as The Bomb (1983) by CRASH and Untitled (1983), a spray painting by Keith Haring spanning three metres.

    Shepard Fairey, Basquiat (Red), 2010. Stencil impression and mixed media collage on canvas, 152.4 x 111.8 cm. Courtesy of Shepard Fairey / ObeyGiant.com. Collection of Jeffrey Deitch.
    Shepard Fairey, Basquiat (Red), 2010. Stencil impression and mixed media collage on canvas, 152.4 x 111.8 cm. Courtesy of Shepard Fairey / ObeyGiant.com. Collection of Jeffrey Deitch.

    Portraits such as Keith Haring (Red) (2010) and Basquiat (Red) (2010) by Shepard Fairey demonstrate how early practitioners of the genre continue to inspire younger artists, while FUTURA’s work El Diablo (1985) – part of KAWS’ personal collection – exemplifies the intergenerational dialogue and influence between street artists working today. JR’s work Eye Contact #13 (2018) evokes old-school rail yards as model trains on tiny tracks move back and forth, creating an optical illusion on each run.

    Charlie Ahearn, Still from RAMMELLZEE IN THE BATTLE STATION, 2005/2020. Courtesy of the artist.
    Charlie Ahearn, Still from RAMMELLZEE IN THE BATTLE STATION, 2005/2020. Courtesy of the artist.

    Examining how the movement shaped other genres, the exhibition will also display works such as Charlie Ahearn’s film Juanito, which captures the story of his twin, sculptor John Ahearn making casts of people in Bronx and immortalising them in plaster. Elsewhere, works by AIKO and Lady Pink will explore how female artists responded and contributed to a genre traditionally dominated by men.

    Lady Pink, TC5 in the Ghost Yard, 2020. Acrylic on canvas, 60 x 84 inches. Courtesy of the artist.
    Lady Pink, TC5 in the Ghost Yard, 2020. Acrylic on canvas, 60 x 84 inches. Courtesy of the artist.
    AIKO, Kiss, 2017. 46 x 34 inches, Mixed media on canvas. Courtesy of the artist.
    AIKO, Kiss, 2017. 46 x 34 inches, Mixed media on canvas. Courtesy of the artist.
    Haroshi, Mosh Pit, 2019. Skateboard decks, 500 x 500 x 2 cm. Photo © Genevieve Hanson. Courtesy of the artist, Jeffrey Deitch, and NANZUKA.
    Haroshi, Mosh Pit, 2019. Skateboard decks, 500 x 500 x 2 cm. Photo © Genevieve Hanson. Courtesy of the artist, Jeffrey Deitch, and NANZUKA.

    City As Studio will also present a series of compelling photographs by leading figures such as Gusmano Cesaretti, Henry Chalfant and Martha Cooper that document the artistry and urban impact of street artists in the 1970s and 80s.

    Gusmano Cesaretti, Chaz Running, 1973. Photo © Gusmano Cesaretti. Courtesy of Gusmano Cesaretti.
    Gusmano Cesaretti, Chaz Running, 1973. Photo © Gusmano Cesaretti. Courtesy of Gusmano Cesaretti.

    Jeffrey Deitch has been involved with modern and contemporary art for nearly five decades as an artist, writer, curator, dealer, and advisor. During his tenure as Director of the Museum of Contemporary Art, Los Angeles (MOCA), Deitch presented some 50 exhibitions and projects and published extensively about graffiti and street art. An advocate of graffiti art since the 1980s, Deitch brings curatorial expertise and a wealth of knowledge to City As Studio, which is a culmination of years of research. The exhibition looks back on half a century of development, traversing generations to uncover the past as a way to discover what the future has in store for the movement.

    To accompany the exhibition, K11 Art Foundation will present a diverse range of events and activities, including talks, screenings, audio guides, docent-led tours, and an education corner featuring online learning resources and an interactive graffiti tagging activity, and more for visitors across all ages and seek to enrich the exhibition viewing experience and deepen understanding of street art online and offline. To further enrich the visiting experience, a special edition of TÖÖF cards with fun art facts printed on the back will be introduced to inspire visitors as they navigate the exhibition.

    Source: K11 Group